Of Artists and Entrepreneurs
I had lunch with a friend today who, like me, went through the art school
mill and now teaches at a university. He came to talk about a business idea
that he had been working on. We noted that business in general and entrepreneurship
in particular were variously ignored, frowned upon, or downright despised in
contemporary art circles. Of course this is complete bullshit. Art itself is
a business - one with it''s own peculiar and quite elitist economy - and artists
spend a good deal of time pretending that it is not a business.
The denial is wrapped up in the whole mentality of being a modern or contemporary
artist. Get your MFA, work some crap gig, and live in a dirty, dangerous urban
environment, preferably an industrial park. I did it for a year or so in the
early 1990's in downtown Los Angeles and then discovered the beautiful canyons
of Sierra Madre. It didn't take much to burn down that mythological house.
Living in squalor did not give me the warm fuzzies. I had enough grime, chaos,
and noise in my own head and didn't need the inner city to make me feel "authentic"or "connected."
Early on, I too had the view of business that it was just evil, pointless,
greed driven piggishness - and sure, much of it is. During the 1990's when
I ran a serious of businesses I often had the feeling of my soul draining to
the floor as I sat in a meeting, a visceral feel of time slipping by in the
wake of crushing meaninglesness. But at least I could sit down while my soul
drained away. At art openings they make you stand up.
But as with so many things, I hated what I didn't understand.
What I learned is that the same processes involved in "creating" in
the fine arts are present everywhere in society, including and most especially
in entrepreneurship. Many of the fine artists I have known are totally spineless.
They are beholden to a power structure - critics, curators, collectors (the
3 C's) - that they rarely question. The fakery is no less thick than the most
tasteless marketing pitch from a mattress company. The difference is that business
lies right to your face while art pretends it isn't lying.
I'm completely devoted to the creative life, but I have learned not to restrict
it out of ignorance to things traditionally labeled "the arts." It's
everywhere. That feeling of wanting to create something new is the same whether
it's a film, a recording, a virtual island, or a start-up. You just begin with
different constraints, established methods, and expectations.
After being burnt out from the dot-com era, over the past year I've been feeling
more and more like there may be another run to make. Creating a business requires
you to bounce your ideas against the unbending nature of physical reality.
Of practical, economic reality. It requires you to use the materials of real
time, real people, and to create something that works in the face of enormous
uncertainties. This is especially true in technology where the ground is shifting
beneath you constantly. It is exactly like studying metaphysics, or painting.
Hopefully a lot of the way people in the arts view entrepreneurship will change.
There are signs. The fact that you can build your own network and market yourself
with various Internet strategies is a major change. It's an unstable and evolving
scenario, but the "long tail" effect is a real one, and the opportunities
for a significant level of creative independence for artists with a strong,
personal , authentic voice are promising.
Yes, it's easier to give your cultural product to "the man" - music
label, gallery, publisher, etc. - and then let them market and distribute while
you stay completely in the dark about the process. But the ability to control
the entire enterprise is much more empowering, interesting, and liberating.
The whole idea about "marketing yourself" changes from fake cheek
kiss networking with those who would present you to the world to using distributed
networks on the web to connect directly to an audience.
My friend thought up a way to make money from the backwardness of the art
system. I wish him the best in his entrepreneurial and yes, creative endeavor.
Posted
by Dean Terry at September 2, 2006 10:37 PM